Menu

design

The 5 Different Logo Types and Your Brand Identity

by 17 Comments

Introduction

In my last blog on the basics of designing a logo, we covered principles to follow when designing one of the most important identity pieces for your business. We learned that a successful logo design should be simple, yet versatile enough to be placed on a variety of different media. Visually, its design should appear to be memorable and timeless, yet stay appropriate to its audience.

When working to develop a logo, one big consideration is the type of design you choose. There are wealth of resources out there that cover various logo styles, but in my experience, there are 5 that are most prevalent and also most important. Let’s get started!

1. Symbol / Icon

The symbol or icon logo benefits from being the least complicated style yet the most flexible of all the other logo types. Symbolic/Iconic logos should be able to stand on their own without the company name association. This type of logo should only be utilized by large or international companies where language could play a huge role in consumers not being able to recognize the brand.

symbolic logos
Example 1: Here are 3 companies that recently dropped the word mark portion of their logo and now utilizes only the symbol/icon component. Out of the top 100 companies worldwide 6% of them uses this type of logo.

According to a study administered by Tastyplacement.com, only 6% of the top 100 companies in the world implements this type of logo. In other words, startups and other new business ventures should likely stay away from relying on a simple image to define their brand. However, I believe that every business should gradually move towards developing a symbolic/iconic logo because to me it represents a level of awareness that comes with overall success.

2. Word Mark

The second type of logo is known as a word mark. Roughly 37% of the top 100 companies worldwide are represented by this type of logo (via Tastyplacement.com). These logos consist of a type font which is styled or manipulated to convey the identity of a business. Even without being styled or manipulated, fonts tend to give off their own impressions. For example:

● Italic – motion, change, timely, continuous

● Bold – strength, power, stability, security

● Script – formal, refined, elegance, prestige

● Hand Written – friendly, playful, happy, childish

Word Mark Logos - Branding
Example 2: This graphic showcases 3 word mark logos which uses typefaces that are uniquely styled. Some word mark logos may even include a simple graphic element in the design.

Word mark logos are ideal for new startup businesses because it helps customers familiarize themselves with both the brand name and, ideally, a bit of the brand culture or personality.

3. Letter Mark

Letter mark logos are very similar to word mark logos in that they are created using typefaces; however, there is greater focus on just using first letter, initials, or an abbreviation of a company’s name to convey their brand identity. Unlike word marks that may contain a simple graphic for clarity, letter marks tend to be exclusively typographic.

Letter Mark Logos - Branding
Example 3: Letter mark logos are typically typographic using either the first letter, or an abbreviated version of a company's name. This type of logo is utilized by 37% of the top 100 companies globally.

This type of logo is best suited for companies with longer or hard to pronounce names. Companies with names that sound or appear generic can also benefit from letter mark logos as a means of differentiation. As an example, if a friend of yours told you that he was watching a show on “Home Box Office,” you probably wouldn’t have a clue what he was talking about. You may think he was speaking about some new cable network, but “Home Box Office” is none other than the vastly-popular cable channel HBO.

4. Combination Mark

Combination Mark Logos - Branding
Example 4: Combination mark logos offers the most flexibility because they consist of both a symbol and a word, or letter mark. These elements can be presented together or individually when representing a company. 56% of the top 100 businesses globally uses this type of logo.

Logos that integrates both a symbol/icon with text (word marks) are known as combination mark logos. According to Tastyplacement.com, 56% of the top 100 companies globally uses this type of logo style. A couple of benefits with developing a combination mark logo for your company are:

  • Having both a symbol and a word mark to represent your company gives you an additional level of flexibility on how your brand appears to customers. As your business grows and changes, parts of the mark can be altered, combined, or separated, but always retain a level of consistency. Many businesses today are following this trend.
  • Combination mark logos are also easier to register as a trademark than stand alone symbol/icon type logos. Many symbol/icon logos can appear similar without uniquely styled text (word marks) associated with them.

5. Emblem

Emblem logos can be considered combination marks to a degree. They are similar because they both include a symbol and text; however, unlike combination marks, emblem style logos are more integrated and enclosed to appear as one single graphic.

Emblem Logos - Branding
Example 5: A large portion of the automobile industry is represented by this type of logo. Emblem logos are also very popular in sports and the beer industry.

Because of this, emblem style logos cannot be presented as separate identity pieces like a combination mark logo, which gives them very little flexibility, especially in print applications or when resizing. This type of logo is very popular in the automobile industry as well as in the sporting world. Emblem style logos tend to resemble a badge or an official seal.

For the last example I decided to showcase DaBrian Marketing Group. Our logo would be classified as a combination mark because it consists of a word mark, a symbol, and a tagline. This type of logo is ideal for our company because we are a small and only made up of 9 employees. We are not well known outside of our coverage area therefore the combination mark logo serves us best.

Different Logo Types - Reading, PA

Are you looking to design a new logo or take your current one in a new direction? Join the discussion in the comments!

Widows, Orphans, Rivers, and Rags

by 1 Comment

Introduction:

In my last blog we discussed the importance of kerning and tracking in creative design. We explained their meanings and differences; in addition we gave visual examples of each.  Besides kerning and tracking there are other key factors to keep in mind when formatting text in creative design. The key factors I decided to focus on in this blog are: widows, orphans, rivers (also known as text rivers), and rags.  Although these issues are very common in print design, they can also be as problematic in a digital design space.

Definitions:

We will begin by defining these terms. First, widows are paragraph-closing lines which were pushed to the next page/column and left dangling and separated from the rest of the paragraph.  Second, orphans (which are often confused with widows) are paragraph-opening lines that appear by themselves itself at the bottom of a page/column. In addition, it can be a word, part of a word, or very short line that appears by itself at the end of a paragraph. Orphans can result in too much white space between paragraphs or at the bottom of a page. Third, rivers (or text rivers) are the white gaps (or white space) that can appear in columns of type (especially justified text), when there is too much space between words on consecutive lines of text. Rivers are particularly common in narrow columns of text, where the type size is relatively large. Last but not least, rags can be defined as the imbalanced alignment of text lines. Ragged is the opposite of flush. A text block may be formatted (or justified) to be evenly flush (align) right and unevenly aligned (ragged) on the left. Now that we have defined these terms let us now view visual examples of these terms so that they make more sense.

Widows, Orphans, Rivers and Rags - Reading, PA
Example 1: Widows are paragraph-closing lines which were pushed to the next page/column and left dangling and separated from the rest of the paragraph.
Orphans - Web design
Example 2: Orphans are opening lines to a paragraph lines that appear by themselves at the bottom of a page/column. It can also be a word, part of a word, or very short line that appears by itself at the end of a paragraph.
Rivers Web Design
Example 3: Rivers are the white gaps (or white space) that can appear in columns of type (especially justified text), when there is too much space between words on consecutive lines of text.
Rags - Web Design
Example 4: Rags can be defined as the imbalanced alignment of text lines. Ragged is the opposite of flush. A text block may be formatted (or justified) to be evenly flush (align) right and unevenly aligned (ragged) on the left.

How to avoid or fix these four issues:

Some techniques you may use to avoid or fix widows and orphans are by forcing an early page break, hence making the page shorter, adjusting the kerning and/or tracking to produce tighter or looser paragraphs, or even adjust the hyphenation of words within a paragraph. Rivers, or text rivers can be avoided or fixed by adjusting the hyphenation and justification settings, commonly called the “H&J” settings, which can be found in most high end creative design suites. Also note that H&J settings can vary from one program to the next. Like rivers, rags can also be minimized or fixed with the use of H&J settings. You may also want to avoid using justified type as much as humanly possible.

Corrected Text - Web Design
Example 5: This example shows what the text would looks like after fixing widows, orphans, rivers, and rags and adding hyphenation.

Conclusion:

In this blog we defined widows, orphans, rivers, and rags, we also went over some differences and similarities among these terms. Although they several different ways to minimize or avoid these issues in creative design, I came across three ways which I thought were pretty consistent throughout my research on these issues.  First, it is best to rewrite portions of the text so your copy can fit the way you intended it to fit.  Second, utilize the H&J setting within the design program you are using. Last by not least, adding kerning and tracking values to text maybe the most common practice when dealing with these issues.